It"s a tough, the reworking of an currently brilliant record. Yet these bangers from the likes that Björk, Radiohead and much more prove it deserve to be done


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Björk performing in 1996. Credit: Frans Schellekens/Redferns

Oh, the remix album. There space scores of them the end there, but let’s it is in honest, many of them… simply aren’t really good? an ext often than no they’re rushed out, filled v lacklustre, uninteresting reworkings. They rarely feel unique – and also instead sound like they’ve to be rattled off in one afternoon, together a desperate attempt to satiate a label demanding new material.

You are watching: Best mash up albums

But occasionally we obtain lucky and also they for sure slap. And one upcoming collection can enter the God tier of remix albums: Dua Lipa has actually teased the upcoming ‘Club Future Nostalgia: The Remix Album’, i beg your pardon will feature Gwen Stefani (!) Missy Elliott (!!) and the really Madonna (!!!), and superstar producers such together The Blessed Madonna and also Mark Ronson.

We’ve come wait a few a couple of weeks before we discover out if a pilgrimage to ‘Club Future Nostalgia’ is a night the end to psychic – but for now, stop look ago on some of the biggest remix albums of all time, chandelier we?

Björk, ‘Telegram’ (1996)


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The icelandic musician’s second remix album is a reworking of the song on her eclectic, art-pop sophomore album ‘Post’ (1995). ‘Telegram’ look at Björk broadens her expansive sonic world, recording brand-new vocal tracks and also working with a varied group of producers and also artists. The twinkling ‘Cover Me’ is transformed right into a drum and also bass banger through Dillinja, ‘Enjoy’ is now a growling industrial-noise megalith courtesy of additional Over the Edge and also ‘Hyper-Ballad’ is offered a baroque-pop makeover thanks to brother string team the Brodsky Quartet. Powerful and pioneering.

Best moment: ‘Hyper-Ballad (Brodsky Quartet Version)’ is completely beautiful.

The League endless Orchestra, ‘Love and Dancing’ (1982)


This album by The human being League – who for one record only go through the moniker The League unlimited Orchestra, a referral to Barry White’s 1972 record ‘The Love unlimited Orchestra – sees song from the band’s 1981 album ‘Dare’ reimagined together disco bangers. It developed The human League together pioneers of the format, together it was one of the very first remix albums ever released. Filled v glitchy, glittering cut of strutting disco, the brilliantly good fun.

Best moment: ‘Don’t You want Me’. The standard synth-pop belter is reworked together seven-minutes that pure disco euphoria.

100 Gecs, ‘1000 Gecs and also the Tree of Clues’ (2020)


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A newbie! A couple of months after ~ 100 Gecs dropped their debut album ‘1000 Gecs’ in 2019, they released the trunk for every tracks online, encouraging pan to create their own remixes the the songs. Inspired by what lock heard; the speculative duo made decision to placed out their very own remix album. ‘1000 Gecs and also the Tree that Clues’ is full of re-workings that the music Marmite that was their an initial record, special a grasp of these pan remixes, and also high-profile guest appearance indigenous the likes the Charli XCX, Rico Nasty and Fall the end Boy. Advertise the boundaries of pop music, it draws top top synth-pop, hardcore, Eurodance, pop-punk and also more, for this reason you finest strap in for the wild ride.

Best moment: ‘hand crushed through a mallet (Remix)’ feat. Fall Out Boy, Craig Owens, Nicole Dollanganger. A completely unexpected team-up returns fist-pumping, moshpit-opening results.

Radiohead, ‘TKOL RMX 1234567’ (2011)

‘TKOL RMX 1234567’ look at the tracks from Radiohead‘s ‘The King the Limbs’ remixed through a who’s that of trendy producers. Jamie xx, 4 Tet, Caribou and also Modeselektor, amongst others, all gain their paws top top the songs from the band’s eighth album, reworking the glitching electronica and also unconventional rock. An initial released as a collection of twin or triple A-side singles, they were compiled ~ above ‘TKOL RMX 1234567’. That an attractive collection, which demonstrates the power a remix can wield ~ above a song; Harmonic 313 transforms ‘Bloom’ into a eerie reduced of cinematic electronica and also Jamie xx’s version is an ethereal, ambient soundtrack to pranging the end on the dancefloor in ~ 5am – and also a welcome addendum to ‘The King that Limbs’.

Best moment: ‘Little By little (Caribou Rmx)’, imbued v Caribou’s distinctive warmth and also sprinkled through dreamy harp twinkles, is a beauty.

Goldfrapp, ‘We are Glitter’ (2006)

Benny Benassi acquisition on ‘Ooh La La’? The Flaming Lips transforming ‘Satin Chic’ right into a sprawling baroque popular music epic? DFA including a dance-punk bounce come ‘Slide In’? Goldfrapp’s 2006 remix album ‘We room Glitter’ has actually it all. Modifying the songs from electronic duo’s 3rd record ‘Supernature’, a bevvy that big-name producers here create a shimmering arsenal of reworked gems.

Best Moment: The Carl Craig remix the ‘Fly Me Away’, i m sorry borrows the bassline indigenous Donna Summer’s ‘I feeling Love’ for. An unlikely enhance made in heaven.

Pet Shop Boys, ‘Disco’ (1986)

The very first remix album by pet Shop boys (they later released ‘Disco 2’, ‘Disco 3’ and also ‘Disco 4’) features brand-new versions of song from the band’s debut ‘Please’ and its B-Sides. A many the tracks had were formerly unreleased, or very rare (the single with the Ron Dean Miller and also Latin Rascals’ variation Latina the ‘Opportunities’ was going for approximately £100), so it was opportunity for fans to obtain their hands on them. Filled with effervescent disco execution of the duo’s songs, it’s a toe-tapping companion to their chart-topping debut.

Best moment: The nine-minute epic that is Shep Pettibone’s mastermix the ‘West finish Girls’.

Primal Scream, ‘Echo Dek’ (1997)

‘Echo Dek’ is the speculative dub counterpart to Primal Scream‘s 5th album ‘Vanishing Point’. For it, they worked with dub producer Adrian Sherwood to greatly rework the songs. ‘Ju-87’, among two remixes of ‘Stuka’, twisted its original speculative electronics, meshing them with relentless trippy beats and the ding the a doorbell. ‘Vanishing Dub’, the reworking the ‘Out the the Void’, is now a chilled-out slice of ambient-flecked elevator music. Like it or loathe it, it’s a fascinating listen.

Best moment: ‘First name Unknown’, the remix of ‘Kowalski’, is a weird and wonderful five-minutes.

Danger Mouse, ‘The Grey Album’ (2004)

Danger Mouse’s notorious ‘The Grey Album’ began life as an speculative project. The mash-up record, i beg your pardon mixes Jay-Z‘s a cappella vocals native ‘The black color Album’ through samples the The Beatles‘ ‘The White Album’, emerged from the idea that meshing these two albums together, with the producer explaining “I was obsessed v the totality project, that’s all ns was trying to do, see if I could do this…Once I acquired into it, ns didn’t think about anything but finishing it.” the was originally only intended because that a 3,000 minimal run, yet a buzz quickly built roughly ‘The Grey Album’. No wonder: the record is outstanding. Meticulously crafted and also expertly put together, ‘The Grey Album’ certain is the definitive mash-up album.

Best moment: ’99 Problems’, i m sorry is combined with the raucous ‘Helter Skelter’. Ooft.

Gil Scott-Heron and Jamie xx, ‘We’re new Here’ (2011)

‘We’re brand-new Here’ is a an innovative reimagining that Gil Scott-Heron’s last studio album ‘I’m brand-new Here’. Developed by Jamie xx if he to be on tour v The xx, that meshes elements of electronica, UK garage and post-dubstep, reframing Scott-Heron’s works surrounded by the indie-darling producers own influences. It’s a society clash that smooths the turbulent edges the the initial record, but there’s no diluting Scott-Heron’s beautiful poetry and wry delivery.

Best moment: ‘I’ll Take treatment of U’ – that a stone-cold smasher. No wonder Drake sampled it because that his enormous Rihanna collab ‘Take Care’ the following year.

Depeche Mode, ‘Remixes 81–04’ (2004)

Both a remix album and also a compilation one, this sprawling repertoire from Depeche mode brings together remixes from the band’s earlier catalogue indigenous 1981 to 2004, pulling together both famous reworkings and also rarities. That jam-packed complete of big-names – Underworld go hard on ‘Barrel that a Gun’, Goldfrapp actors an enchanting, cinematic spell on ‘Halo and also Linkin Park‘s Mike Shinoda adds a coat of nu-metal flecked repaint to ‘Enjoy the Silence’ – and holds part moments of pure gold.

Best moment: The eight-bit bop that is british producer Daniel Miller’s mix the ‘World in my Eyes’

Philip Glass, ‘Rework: Philip Glass Remixed’ (2012)

To celebrate his 75th birthday, composer Philip Glass approached request Beck come pull with each other a team of modern-day musicians come remix few of his most renowned pieces. The outcomes areRework: Philip Glass Remixed’, which look at a bevvy of artist – including composer and ex-Battles member Tyondai Braxton, chillwave champion storage Tapes and also Beck self – take it on part on the pioneering minimalist composers best works. It’s an extensive yet enthralling listen.

Best moment: Memory Tapes’ funk-infused ‘Floe ’87’. It’s minimalist and mesmerising.

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 Massive Attack and also Mad Professor, ‘No Protection’ (1995)

When huge Attack very first released their 2nd album ‘Protection’ in 1994, they approached dub producer DJ mad Professor to gain him come remix one of the tracks. That intended one-off eventually snowballed into a full-blown remix album. To run the band’s 2nd record through a woozy, dub filter, that takes the band’s loungey, chill-out album come the dancefloor.