His colorful Coachella was the ultimate distillation of "Flower Boy""s mood and aesthetic, recognize Tyler in a new era, every alone in a fantasy human being of his own creation.

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The Tyler, the Creator that 2018 is no the young we when knew. Prior to say, critical year, when I assumed of Tyler, one video in specific would come to mind. It’s a 2012 clip native a Jimmy Fallon appearance, whereby Tyler and also Hodgy, clad in ski masks, execute “Sandwiches” while destroying property and also terrorizing the show’s various other guests. The performance is funny and also weird and also smart, but also twisted—a strange teenager riot acted out on live TV. For a long time, that was Tyler’s single operational mode: 100 percent pure shock value.


So once Tyler released critical year’s Flower Boy, that was an easy target for an ext skeptical critics: a lush, warm concept album through an ostensibly queer narrative. Cynics easily dismissed the record as a method for a young who used to call anything that moved a slur the some sort to earn some woke points. Hear closely, though, and Flower Boy is usually the opposite; it’s an album around growing up and reckoning through identity, a pastel-colored wonderland where black children can self-determine and also express themselves and also live unchallenged. That sounds favor Tyler working out who he is, and deciding, maybe, the he’s not that much of a troublemaker anymore.

Saturday’s collection was a perfect extension of Flower Boy’s mood and aesthetic; bucking any expectations that what a Tyler, the Creator set should be, that showcased the depth of brand-new Tyler together a performer and as a songwriter. No much longer an agitator, Tyler is now something of a showman. He’s sweet onstage, asking us “Are you having actually a good time, Coachella?” and “Will you sing v me?” and also urging the crowd to song the hook top top “Boredom” in a method that’s virtually childlike. Wearing leather Golf Le Fleurs, a ‘No Violence!’ t-shirt and also a hat bearing the indigenous ‘Problem Child’ (all his very own label, Golf Wang), Tyler looks like your friend’s shy younger brother, sheepishly sliding and shimmying across the stage during some the the songs with funkier arrangements, and walking roughly the set's big trees and also logs choose he’s exploring.



Many sets of the day—especially the ones later on in the evening—featured big name guests or large set pieces, however Tyler’s set was remarkable for just exactly how solitary he seemed onstage. While plenty of of the other performances around Flower Boy have found Tyler surrounded—by his friends, at Webster Hall, or by dancing teens throughout a tv performance—this collection felt like the can be fried distillation the the album’s mood, Tyler all alone in a fantasy civilization of his very own creation. The massive screens around him presented technicolor landscapes that couldn’t have actually been much more at odds v the desert neighboring the festival.

It felt choose Tyler was performing as Flower Boy’s grandfather Lonely character, standing quietly on a communication in the center of the stage, starting out right into the night. Because that punters who weren’t familiar with Flower Boy, it might have been exceptionally alienating, and you acquire the feeling it could have been; the best crowd reception to be a brief part in the middle of the collection when Tyler performed “IFHY” and also “Tamale,” both indigenous 2013’s Wolf. The rest of the song didn’t obtain a cold reception, exactly, however it was practically like countless were there to rotate up and also felt disappointed that they didn’t get a possibility to, external the Wolf tracks and also Flower Boy’s “Who documents Boy?”


That’s no shame, though: the Flower Boy songs were incredibly impressive, and also gave Tyler a chance to show off just just how much that a talented vocalist he’s become, modulating his voice from its usual growl throughout “Garden Shed” into snarls and also shrieks, and also into an bald scream during “Who file Boy” and “I Ain’t gained Time.”



“I Ain’t got Time,” perform second-last prior to the two-parter “Sometimes” and “See friend Again,’ was basic highlight; questioning the group whether we can “just gain absolutely buck shit crazy,” the felt prefer a speed of the Old Tyler, other than with a much more self-aware edge, certain lyrics flashing on-screen favor some type of surreal live karaoke. Cut the track short, it finished with Tyler screaming the much-discussed “I’ve been kissing white boys due to the fact that 2004” line. I’m loath to assume that these songs space actually about Tyler—they can be, but it’s shallow to assume that all arts is grounded in reality—but that felt favor there was meaning in the way the collection was built about tracks the alluded to identity and also sexuality like “I Ain’t got Time” and “Garden Shed,” the latter of which was performed v Tyler standing tho on his podium, feather out into the world. The was absolutely a collection that telegraphed the prominence of recognize Yourself—“OKRA” included a spoken-word interlude of someone telling the crowd to do every little thing we desire to do—and the vulnerability, and also the method these song were put in the set felt favor a have fun of that.

Rather than finish with a bang, Tyler eased out, finishing ~ above “See you Again,” his an initial real love song. It to be a fitting ending; like the rest of the set, “See girlfriend Again” finds Tyler alone in his very own head, daydreaming and fantasizing about the world around him, painting brightly-hued vistas that What might Have Been. The set may have actually honed in top top the loneliness the Tyler’s music, but as he sang the last couple of bars the “See friend Again” acapella, hundreds of voices join in. That didn’t seem for this reason lonely anymore.

Shaad D’Souza is Noisey’s Australian Editor. Monitor him on Twitter .

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